To conclude the travelogue writing that has dominated this blog for some time now, herewith some impressions from our brief stopover in Peru. Two nights were too short to venture out of Lima. But there was enough to keep us busy in town.
The Museo Xul Solar is devoted to the artist’s extensive work spanning several decades and various media. The building is an architectural masterpiece that connects various old structures, including Solar’s flat at the top, with cast concrete staircases, mezzanine floors and open spaces.
We checked out two modern art museums in San Telmo, Buenos Aires the other day. The Museo de Arte Contemporaneo de Buenos Aires (MACBA) and the neighbouring Museo de Arte Moderno de Buenos Aires (MAMBA) were, while almost completely empty, really worth the visit.
We spent an afternoon with friends two weekends ago, first to see an exhibition in the Wellcome Collection near Euston Station followed by a stroll around Hyde Park. Here we walked past London’s possibly most exclusive real estate address (1 Hyde Park) on our way to this year’s Serpentine Gallery Pavillon, designed by Japanese architect Sou Fujimoto.
Serpentine Gallery Pavillon by Sou Fujimoto
Berlin’s Rosa-Luxemburg-Platz is one of my favourite urban spots. Here, Berlin’s history comes alive like hardly anywhere else. Buildings from several decades stand together where important historical events took place. Meanwhile, new houses are being built. Like the one in Linienstrasse 40, German architect Roger Bundschuh’s strange synthesis between art and architecture.
We went to see Makoto Aida’s exhibition this last weekend, currently on display in the Mori Art Museum. Me and my wife both left feeling impressed – ‘brilliant’ was the word that encapsulated it for us. The works on display and perhaps the cumulative exhibition as a whole seemed to capture our perception and understanding of Japan, which is something that we struggle to articulate ourselves.
Aida Makoto – the Non-Thinker
As any megalopolis, Tokyo is brimming with art galleries, museums and other cultural institutions. After seeing a few of them, and also after engaging a little more with Japanese history and culture, I have set myself a task for the next few months, an assignment of sorts: How do Japanese people express themselves through the arts? How are emotions channeled, how is social criticism conveyed? These are big questions, but then again, I have quite some time on my hands to find some answers for myself. A few ideas: Continue reading
Having myself co-published a non-standard book with a crowd element to it, I was intrigued to find out about Art Space Tokyo, a collaboration between journalist Ashley Rawlings and publisher/designer Craig Mod. They started off in 2008 by publishing a hard-copy book on Tokyo’s art scene, taking the reader through reviews of galleries as well as accompanying neighbourhood tours.
Then in 2010, they funded their second edition via Kickstarter, raising about $25k. Next, the digital edition came out in 2012 and is very interesting. Mostly for me because it makes all content from the book available for free. All reviews, essays and interviews can be read from the comfort of your chair at home as well as on-the-go, using fully responsive technology for your reading pleasure on mobile devices.